'Theatre that from concept to execution is utterly
bonkers but quite brilliant'
Timeout Critic's Choice for Greg
Freeman's Doig
Click here for full review
'a testament to Freeman's faith in his
imagination and ours'
Timeout Critic's Choice for Greg
Freeman's Beak Street
Click here for full review
Invited to a picnic in the woods, Alfie, Ludovic and Julius witness a
disturbing incident that seriously alters their
existence. In an unreal world that meets reality, three
cuddly bears who cannot lie and a weird doll that can,
embark on a precarious journey to save their skins.
No Picnic marks the third Greg Freeman
show at the Tabard Theatre following the seminal
critical smashes of Doig and Beak Street.
'anyone who takes a seat at the Tabard, bringing
their brain-box, with them will be proud to be one of
the earliest to recognise its quality' Richmond &
Twickenham Times on Greg Freeman's Doig
Click here for full review
'a fine and powerful play that pulls no punches' Sutton
Guardian on Greg Freeman's Beak Street
Click here for full review
Greg
Freeman edited and adapted the only ever successful
version of an American Sitcom 'Who's The Boss' which
became 'The Upper Hand' (ITV). He has since developed a career in the theatre.
Writing credits include the Time Out Critics Choice
shows of Doig... and Beak Street
A (Tabard Theatre), Last Bus to Paradise
(Underbelly, co-wrote
and winner of the London New Play Festival) Take (Old
Red Lion) Kathmandu (Menier Chocolate Factory and
Pleasance Edinburgh) and Wake up and smell the coffee
(New End Theatre).
No Picnic is directed by Ken
McClymont who
directed and designed Greg Freeman's previous shows
Doig... and Beak Street. He is also the
former Artistic Director of The Old Red Lion Theatre.
Whilst there he directed over thirty premieres incl:
Waiting for the Angels, Murder In Bridgport, Diaspora
Jigs and Life After Life. Revivals include:
A Chaste
Maid In Cheapside (Old Red Lion) and The Slab Boys (Old
Red Lion) which won Best Production of a Comedy Award (LFA).
In 1989-90 he won an Outstanding Contribution to Fringe
Theatre Award for programming of an exceptional standard
at the Old Red Lion.